Esther Freud

The novelist – whose childhood adventures were made into the film Hideous Kinky – reflects on the inspirational journeys that have shaped her life and career

Illustration: Tina Berning
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1. Morocco, 1967

 

My first big journey was when I was four, to Morocco, where I lived until I was six, and wrote about [in Hideous Kinky]. For the rest of my childhood I felt I had a secret, exotic, colorful Moroccan life inside me that nobody else in gray, rainy England understood. It affected me in another way: I spoke a muddle of English, French and Arabic, but couldn’t write until I was 10. I thought that stories and tales I’d heard in Morocco were more magical than putting letters in a certain order. I think they politely called me “vague”.

 

2. New York, 1979

 

When I was 16 I went to visit an American friend who lived in New York for Christmas. I couldn’t believe there was a city like it. They were a wonderful arty Jewish family on the Upper East Side; for Christmas morning we went to a diner for pancakes. It seemed so exotic. I took my sister Susie once, when our plane made an emergency landing; we ended up at a place called The Happy Donut. We still talk about it.

 

3. Italy, 1980

I’d just spent a year in London, at 17, getting to know my dad [the painter Lucian Freud], as I’d never lived in the same city before, and he invited me to go to Italy by train. We spent two weeks together, which was so precious. In Florence, he was wonderfully playful and badly behaved. Then there was the unbelievable beauty of Italy. And I fell in love. So it was a blissful adventure
 

4. India, 1984

 
In my early twenties, with tips I’d made from waitressing in a pizza restaurant, I went to India for three months with a friend and her father. We were naive and ill-prepared, so it was terrifying. My friend’s father was appalled by the rats and beggars; to him we’d entered a Bruegel painting of hell. It got better when we went south to Kerala and Kochi beach, which was paradise, and Jaipur and Rajasthan, where we had a magical time. I’ve been back often; it’s become an important part of my life.
 

5. Suffolk, England, 1985

 

Because I missed the English countryside, my father suggested I rented an old family cottage by the sea. Often seaside towns are barren, and the countryside overly cute, but Walberswick is so gentle that I immediately felt I belonged. The house was cold and bare, with terribly uncomfortable beds. But my architect grandfather lived there after they left Germany, and he renovated many of the houses in the village, so even now it feels like part of who I am.

 

6. South Africa, 1995

 

Three months after our son was born, my husband [actor David Morrissey] got a job in a tiny town called Upington, several hours from Johannesburg, in the desert, and persuaded me to come with Albie. It was dismal; really lonely and dreadful. But the director’s wife had a small child too, and she and her friends, and now their children, have become my most important of friends.

 

7. Germany, 2000

 

I knew, for my book The Sea House, that I needed to go back to a house in Hiddensee, off the Baltic coast, where my grandparents had taken my father and his brothers for their summer holidays. It was lovely: a sandy flat island with a lovely cold sea, beautiful old houses and bicycles, but no cars. A fishing family who remembered my grandfather invited me in, and cooked me eels: oily and pretty disgusting.

Esther Freud's latest novel, Mr Mac and Me, set in Walberswick, is published by Bloomsbury